Writing about pain is hard. Putting these words on a page rips sweat from the brow, blood from the veins, and ink from the pen. Anguish clings to the heart, and comes free only with great effort. Trouble wants to stay hidden in the dark recesses of the mind, wreaking havoc in the soul. Once the first cut is made and the first words flow through the pen and onto the page, there is a deluge of words, pouring out in no particular order, unordered and unreasonable. Disciplining the words into order, making sense of the insensible, requires patience and energy and the occasional cattle prod. In the end, the pain is as manageable as the words, aligned neatly into grammatically correct packages.
Writing about joy is harder. Trite clichés trip over themselves in their race to hold the good in cupped palms. Cliché is a leaky vessel, though, allowing the best parts to fall unnoticed to the ground. One must move past the cliché, into new territory, finding fresh ways to hold the joy, sometimes building the vessel from scratch, one word at a time, until the right size and shape cradles delight carefully, tenderly, holding onto the pleasant thought so the reader can sift through the glittering words, picking out a favorite bit, feeling remembered joy in his own carefully crafted vessel.
Writing funny is hardest of all. Terror, not humor, flows across the keyboard. Myriads of little fears combine to dam up the words, keep them stopped behind an embarrassed laugh. Fears like rejection, humiliation, exposure. The biggest of all, the one holding all the little fears together--what if no one laughs? Worse, what if they don’t get it? A joke is never funny after explanation tatters the edges and scissors the punch line. Too much description kills the joke, too little prevents its birth. A joke can spend forever behind the dam, never seeing the light of day, and becoming a little less funny every day.
Still, here I sit, glaring at my computer, daring it to wrap its cold, unfeeling microchips around my words, distorting them beyond recognition. It succeeds more often than not. The words I hear in my head are not the words that appear on the screen. I slash at them, trimming the jagged edges, reordering the nonsense, slaughtering clever phrases at every turn. My computer uses the overflowing recycle file to mock me, shoving ragged scraps of essays in my face, declaring that I will never be a writer. I failed before; there is no indication this time will be any better.
Sentence by painful sentence, I wrest control from my hard drive, crafting the rough words into a flowing river of thought and idea. The battle is bloody and long, with casualties on both sides. But I do not quit, I do not retreat. I am more feeling and human than the enemy. My computer also knows I can always buy a new one and it will be relegated to fighting about Solitaire with a bored teenager.
In the end, I win. The words are mine again, if a little blood spattered.
Why write? Why do battle with a computer at all? I write because I must. Because I cannot NOT write. Pouring the words onto the page, ordering and organizing, removing drivel with surgical precision, healing wounded paragraphs, this work calls to me, a siren song of desire. It is an addiction, a drive, a need as basic as food. I swear and stomp away, vowing never to return, but we all know I’m only kidding. I will be back, and I will craft another vessel, something to hold all the joy and pain and humor in the world, one word at a time.